Lane 05 / The cutting room
Footage in.
Story out.
Before the software, there was the timeline. I cut long-form documentaries, vertical shorts and brand films for creators and companies — plus a row of generative A.I experiments from the same desk. Every edit paced so the next second earns itself. Fourteen shipped cuts below. Click any frame to play it right here.
Reel 01 / The long game
One story, held for minutes.
Long-form is a different sport — pacing, breath, and knowing exactly when to let a frame sit. This is the flagship cut: a documentary-style edit for one of India's biggest storytelling channels.
Reel 02 / The vertical sprint
Sixty seconds. No wasted frames.
Shorts live or die in the first two. Hook, captions, cut-on-the-beat — three vertical edits for legal and advocacy creators.
Reel 03 / The vault
Client cuts, straight from the timeline.
Six more edits, shared the way clients actually get them — Drive links, not a highlight reel. Same standard, different briefs.
Reel 04 / A.I creations
Made with machines. Judged by humans.
Four experiments in generative video — an AI presenter, two spec ads on the Sora frontier, and a fashion film. Directed, prompted and cut at this desk.
The toolkit
What the desk cuts.
Final cut / Your move
Got footage? Let's cut it.
Send two paragraphs — what the video is, and what it needs to do. You'll get a reply within 24 hours and a first cut you can judge before any contract exists.